Weekend Poem - T.S. Eliot



V.
So here I am, in the middle way, having had twenty years-
Twenty years largely wasted, the years of l’entre deux guerres-
Trying to use words, and every attempt
Is a wholy new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate,
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate – but there is no competition -
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.
Home is where one starts from. As we grow older
the world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.

The last of East Coker, I've always loved this excerpt from the poem (read all of it here).  At first it seems to be about the trouble of writing, grasping at words, but I love it in context with the rest of the series, how he loops.  And near the end, I always think about the difference age makes in how you interpret moments or memory.  Also, the line, "we must be still and still moving" gets me every time.  Anyhow, just thought I'd get this blog back up and running.  Maybe even share my own words, if I'm feeling brave soon.

summer is almost over

Summer camp is almost over, and i'm already looking forward to winter. How beautiful is that balloon/postcard performance? Ready for sweater weather, though.

that reminds me..

http://writing.calarts.edu/blog/2011-may-11/adventures-perversity

i want to do more of these readings.

making mistakes, fucking up, and figuring things out the hard way.


Tonight i went to Skate Video Night, part of the Geffen's new show. There was a panel made up of: Spike Jonze, Stacy Peralta, Lance Mountain, Ed Templeton, Greg Hunt, Ty Evans, Rick Howard, Aaron Meza and Tobin Yelland.

When asked about why skate videos have kept footage of the riders falling and goofing off, Stacy Peralta said,

"We had the power to wreck skateboarding or empower kids."

I think a lot about the importance of making mistakes, fucking up, and figuring things out the hard way. I guess that's why I like skate videos; yeah, you're going to see amazing tricks, but you're also going to watch the same athletes goofing off and falling down. Getting it wrong is not just acknowledged, but celebrated as an integral part of learning.

As a kid, I remember focusing so hard on getting the right answer, and pushing myself to never make mistakes. I definitely feel those moments when a skater pushes himself to the point of breaking his board. But the fact that those moments are documented and put into a sometimes totally polished video is not just refreshing, it's illuminating.

It seems like the more I think about something, the more it tends to pop up in random places. Here's a link to this TED lecture trent and i watched on being wrong:

http://www.ted.com/talks/kathryn_schulz_on_being_wrong.html

During camp last year, I realized how debilitating it is for a kid to always feel the need to find the "correct" answer to a problem. For one of our projects, we made our own islands and used craft materials to furnish them according to what would comprise our ideal island. For many of the children, it was difficult at first to use the materials as something other than what they knew the objects were. As the project progressed, imagination took over, and the fear of "misusing" the objects was thrown aside. I noticed one little girl cutting blue circles out of paper and sticking them onto stretched cotton balls. I said, "Are those polka-dotted clouds?" (my adult mind was totally having a hollow-face illusion moment!) The little girl replied, "No, I tried to cut holes but it looked stupid, so I made the holes in the clouds where the sky pokes through!"

By fearlessly working against herself, practicing and experimenting, the girl figured out a way to represent the part of clouds that she found interesting. It reminds me of the shots in Yeah Right! with the invisible skateboards; with anything there's a lot of hard work and practice involved, but it's good to get it wrong and keep going.


adventures in perversity

I've been working with Maggie Nelson to create a reading at the Center, above is the poster I made for it. I am so excited to work with Maggie, as she was one of the most invested CalArts faculty members, and a real guide in helping me shape my practice. If you haven't read her work, I encourage you to pick up Something Bright, Then Holes..or any of her work really.
here's an interview.
and, to contribute to today's poetry theme, here's an excerpt from some robert creeley i've been reading..
This early still sunless morning when a chair’s
creak translates to cat’s cry a blackness still
out the window might be apparent night when the
house still sleeping behind me seems a bag of
immense empty silence and I feel the children
still breathing still shifting their dreams an
enigma will soon arrive here and the loved one
centers all in her heavy sleeping arm out the
leg pushed down bedclothes this body unseen un-
known placed out there in night I can feel all
about me still sitting in this small spare pool of
light watching the letters the words try to speak.

(from Helsinki Window)

Morning Playground

I lay 4x6 photographs down next to each other until I feel like i've found the image. I'm not actively trying to create stories. It's funny how the brain intuitively wants to make a story though, right?

The top photograph is from the Sedlec Ossuary in Kutna Hora, Czech Republic.
The bottom photograph I took of a child playing under a tree in Prague, Czech Republic.